Epiphone Les Paul Standard Plus Top Review - Great Guitar, Great Price!

By R. S. Rasnick

Anyone who's ever played "Guitar Hero" or watched MTV knows that the Gibson Les Paul is one of the most favorite electric guitars in the world, preferred by a number of guitar players in numerous styles, from rock and blues to jazz and country.

The problem for many of us, though, is that Gibson Les Pauls are a bit on the costly side.

A new Les Paul Standard will cost over $2,000, an expensive musical investment to be sure. So what can we do?

How about the Epiphone Les Paul Standard Plus?

Don't let the "Made in Korea" sticker fool you. This Epiphone-branded Les Paul Standard Plus sounds, plays, and looks like its American-made brethren. But how does it compare in every detail?

Our review instrument had what Epiphone calls a Transparent Blue top, which is frankly one of the most enchanting tops I've ever seen on a guitar, irrespective of price. Sure, it's laminated, but it's still real attractive. In addition to the pretty top, the Epiphone Les Paul Standard Plus Top also has chrome hardware and lovely creme-colored binding.

Suffice it to say, that that the Epiphone Les Paul Standard Plus Top is one extremely attractive instrument.

I've been lucky to have owned a Gibson Les Paul Standard for quite a while, so I felt like I was in a good position to compare the two instruments. Honestly, I was quite impressed. The neck actually reminded me of a 1960 Gibson Les Paul Standard. It was, in fact, quicker in some ways than my own Les Paul, which has a 50's style neck.

The fretwork overall is quite well done, though perhaps not as nice as my Gibson. The rosewood fretboard had a real nice feel to it, and the frets were smooth and well-polished overall.

The alnico classic pickups deliver the classic Les Paul bite out of the bridge pickup and a smooth, round tone from the neck pickup. Nevertheless, I usually trade pickups out of most stock guitars and would in all likelihood do the same here.

I believe a Duncan JB and Jazz would sound wonderful in this guitar, but the substitutes would be more of a preference than a necessity.

These pickups sound superb and might be what you're looking for without the need for replacements. They did tend to squeal somewhat at high volumes, but not annoyingly so.

The compromises in a model such as this guitar aren't easily apparent. Epiphone saves money by having a veneer flame top glued to non-flamed maple. Likewise, where Gibson Les Paul Standard bodies are made from a single mahogany slab, the Epiphone mahogany body is laminated, as is the neck.

The veneer body, however, actually allows these Korean-made Epiphones to weigh less than the made-in-USA Gibson instruments, a welcome change. The bottom line is that the Epiphone Les Paul Standard Plus is a terrific guitar for the money and far less costly than its Gibson sibling. - 32370

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ESP LTD Deluxe EC-1000 Review - Quality ESP Import?

By R. S. Rasnick

Some people are still under the erroneous assumption that having a "Made in Korea" sticker on a guitar means it's substandard. Those days are long gone. True, Korean-made instruments were once sub-quality, but that was the same for Japanese-made guitars once as well. That is, of course, until companies like Ibanez and Takamine came long.

The ESP LTD Deluxe EC-1000 is proof positive that first-class guitars are made in Korea. Why is that the case?

A guitar is only as nice as its parts, and the ESP LTD Deluxe EC-1000 contains the first hardware in the business. The ESP is equipped with EMG 81 pickups, TonePros System II locking bridge, Sperzel locking tuners, and an Earvana compensated nut.

Clearly, ESP didn't skimp on the details. This guitar contains world-class elements, but how does it play and sound?

As Luck Would Have It, the LTD Deluxe EC-1000 plays and sounds as good as its parts suggest. The action is as nice as any guitar we've ever played. The action is smooth, low, and silky, and the 24 fret fingerboard is impeccable.

We were especially impressed with the capacities of the LTD Deluxe EC-1000 as a serious metal or shred instrument. We ripped sweep picking licks and cranked out power chords alike with no problems. We really liked the EMG-81 pickups, which offer a lot of versatility, though the guitar does excel at high gain riffage.

The tuning is spot on as well, thanks to the included Earvana nut. Chords were in tune from the first to the high frets, and the intonation was exact.

It's also a really good-looking guitar, and we loved the maple top/mahogany body combination. The rosewood fretboard is really attractive as well, as are the abalone inlays.

We tried and tried, but we simply couldn't find any problems with the guitar's construction. Kudos to ESP! This is a guitar that could fulfill a lot of guitar players, given its pro-quality hardware and its color choices.

With a list price of less than $1000, the LTD Deluxe EC-1000 is a pro-quality instrument at a very inexpensive price. The Korea vs. USA debate may finally be a thing of the past. - 32370

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Epiphone G-400 Review - Great Guitar, Great Price!

By R. S. Rasnick

The Gibson SG doesn't have the comparable iconic history as the Les Paul or the Stratocaster, but it's still a mighty rock and roll image. Angus Young of AC/DC can show to that.

Many guitar players, from rock to blues to jazz, have played the Gibson SG at one time or another. While the Gibson SG is a powerful instrument and surely worth the purchase price, not everyone can fork out the $1,200 it costs for a brand new Gibson SG. Fortunately, Epiphone makes an affordable SG-style guitar, the G-400.

Since the Epiphone G-400 is plainly more inexpensive, we have to determine how well it "stacks up" to its big brother, the Gibson SG.

We have no niggles with respect to the cherry finish, which is just plain beautiful and looks great on the instrument's mahogany body. The SG shape itself is faultless. If it weren't for the name on the headstock, the guitar would be a dead ringer for a Gibson SG.

The mother-of-pearl inlays are wonderfully done, though we did discover some small traces of glue residue near the edges. Likewise, we noticed some minute traces of glue holding the neck joint in place, but these squabbles aside, we found the construction quality to be really well done.

The instrument stayed in tune really well, and we are able to set the guitar's action extremely low. The intonation was dead on and easy to set; nonetheless, we thought the bridge saddles were just a touch too sharp when we rested our hand on the bridge. Still, this is a minor complaint.

The guitar plays well, suitable for pretty much any style of music. We did notice a a couple of buzzes and rattles here and there, but we did set the action moderately low, and we didn't observe any of these sounds through an amplifier.

Even unplugged, the G-400 has a superb, vibrant sound. It's a very alive instrument, which is welcome seeing how lightweight the guitar is.

The positive characteristics are only heightened by plugging the instrument into our test amp, a Dr. Z MAZ-18 NR. The G-400 pickups provided a well balanced but not terribly aggressive sound.

All three pickup positions yielded quality sounds useful for just about every style under the sun. When we auditioned the G-400 out with some highly distorted sounds (using some high gain pedals), it sounded a little muddy to us, but that's likely because of the warm-sounding mahogany body.

If you plan to gig with the G-400 in a metal or shred setting, a change of pickups might be needed.

In The End, we think the Epiphone G-400 is a wonderful guitar for people looking for classic rock, blues, and even hard rock tones, and who don't desire to drop a ton of cash on their purchase. It's a fun instrument with various usable tones and one we highly recommend. - 32370

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Brief Review of the Custom Carvin CT6M

By R. S. Rasnick

Carvin has a well-earned status for making quality custom guitars at a reasonable price. The main downside to buying a Carvin is that you won't find them in your local music shop, unless they're used. The positives definitely outweigh the negatives, however. You can order a custom-made instrument that is one of a kind, made to your unique specifications.

The Carvin CT6M continues Carvin's reputation for quality. The craftsmanship, finish, playability, and sound rival the world's greatest instruments in every way. If you need a beautiful and versatile guitar that you can personalize to your own tastes at a fair price, the CT6M certainly fits the bill. Let's see what makes this instrument so unique.

We tested a Carvin CT6M with an impressive flamed maple carved top. It came with a mahogany body and a set-in neck that we upgraded to 22 medium-jumbo stainless steel frets (nickel frets are standard). We kept the standard ebony fretboard, though we opted for the abalone block inlays. It came standard with locking tuners (Sperzel) and Carvin's Classic C22 pickups. We also invested in a set of Dunlop Straplocks.

We ordered our instrument with the standard Tune-O-Matic bridge with a string-through-body design, though you can order either a Wilkinson or Floyd Rose tremolo bridge as an option. For the finish, we chose a beautiful triple-stained deep blue and a black back and sides.

We received the instrument with our requested .009 strings setup for low action. UPS transported the CT6M all the way from San Diego to Dallas, and the instrument not only played great upon arrival but was tuned to concert pitch as well. The action was perfect, and the intonation was spot-on. We only needed to fine-tune the truss rod a touch. Like all Carvin necks, the CT6M was mega-fast, and was actually one of the smoothest I've seen in a while.

Honestly, I can't think of a single thing that could be done to make the CT6M more playable. The stainless steel frets were a smart decision, since they contributed to the effortless, easy bends and fretwork.

The guitar sounds exceptional. The 3-way pickup selector functions like a Gibson Les Paul or SG and combined with a push-pull tone pot coil tap, the sound options are broad and useful. I could definitely elicit some nice Strat-tones out of the coil tap.

If you're accustomed to upgrading stock pickups, you might actually be content with the Carvin C22 pickups in their stock configuration. We were able to get some very solid blues, rock, metal, and even country tones. The bridge pickup is pretty hot, which makes it a good choice for blues and rock sounds. The neck pickup is nice as well, though it might lack the depth a jazz player may desire. Still, it's quite versatile.

We received the CT6M with a very nice SKB-designed case that provides a really solid fit for the guitar. Even though we had no need to contact Carvin's customer service (since everything was perfect), I can say based on past experience that their customer service really does come through when you need them.

The total for this world-class custom made electric guitar was $1,550.49, quite a deal when you consider that a PRS McCarty or Hamer Studio (other guitars in the CT6M's quality range) sell for twice that amount. Carvin definitely has a winner on their hands with their CT6M. - 32370

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The Carvin Bolt-T: A Brief Review

By R. S. Rasnick

With the Bolt and Bolt-T, California-based guitar maker Carvin makes their entry into the so-called "Super-Strat" market with a model that offers countless customization options. Bolt-on neck guitars are nothing new for the company (they used to make them years ago), though they've become more renowned for their set-neck instruments. Strat-style guitars are virtually everywhere these days, so we have to ask, what does Carvin add to an already crowded market? With the Bolt and Bolt-T models, it's clear that they add a lot.

As is the case with all of their instruments (except for the Cobalt series), Carvin's Bolt guitars can be ordered with a number of options, including customizations of wood, hardware, color, and pickups. The guitar we reviewed came with an alder body and a beautiful flamed maple top with crimson red finish. We ordered a humbucker in the bridge position and a black perloid pickguard. We left the single coils in the neck and middle positions, just so we could still get some realistic Strat-like sounds. We also ordered our Bolt with the Wilkinson vibrato bridge option.

Regarding the guitar's electronics, it relies on a master volume and tone as well as a standard Stat-style five-way selector switch. It also includes two mini-toggles. One allows you to add the bridge pickup in positions four and five while the other allows you to split the bridge humbucker. Obviously, the Carvin Bolt-T has a wide palette of sonic possibilities.

Since we ordered the Bolt with the optional Wilkinson vibrato bridge, we tried to get the guitar to go out of tune, but the Carvin Bolt-T would have none of it. It probably didn't hurt that we ordered the optional locking Sperzel tuners. When you couple those locking tuners with the Graphtech nut, it would take a lot of work to get this guitar to go out of tune. Way to go, Carvin!

If you've never played a Carvin guitar before, then you're missing out on some of the best-playing guitars in the business. We opted to get our Bolt-T with 22 medium-jumbo stainless steel frets and an ebony fingerboard. We were positively blown away, as it was far better playing than instruments costing two or three times as much! The neck's tung oil finish added to this silky smooth feel and playability.

The instrument was shipped in a solid ABS case that is durable despite its lightness. Amazingly, the Bolt-T was tuned to concert pitch and wholly playable when we took it out of the box, which is hard to believe!

Perhaps the most compelling feature of the Carvin Bolt-T is the price. We had numerous quality upgrades and options, and the instrument still cost us less than $1,000 including shipping and the hardshell case. While we still love our Fender Strats, it's hard to justify the cost of a new Fender when you can get a new or used Carvin for a lot less.

All in all, the Carvin Bolt-T is an amazing guitar for the cost, especially if you can find a used one. If you want a guitar that gives you world-class sound and playability at a low price, the Carvin Bolt-T is sure to satisfy! - 32370

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Carvin CT6M: A Brief Review

By R. S. Rasnick

Musical instrument maker Carvin has a solid reputation for producing quality custom guitars at a modest price. Alas, you won't find Carvin guitars in your nearby music shop unless you happen to find a used instrument. Regardless, the good far outweighs the bad. With Carvin, you can order a custom-made guitar that is truly one of a kind because it is built to your particular specifications.

The Carvin CT6M continues Carvin's reputation for excellence. The craftsmanship, finish, playability, and sound rival the world's greatest instruments in every way. If you need an attractive and versatile instrument that you can personalize to your own tastes at a fair cost, the CT6M certainly fits the bill. Let's look at what makes this guitar so unique.

We reviewed a Carvin CT6M with an impressive flamed maple carved top. It came with a mahogany body and a set-in neck that we upgraded to 22 medium-jumbo stainless steel frets (nickel frets are standard). We kept the standard ebony fretboard, though we upgraded to the abalone block inlays. It came standard with locking tuners (Sperzel) and Carvin's Classic C22 pickups. We also invested in a set of Dunlop Straplocks.

Though Floyd Rose and Wilkinson tremolos are available as options, we opted for the Tune-O-Matic M bridge with a string-through-body design. The color was a beautiful triple-stained deep blue with a standard black back and sides. Very sharp!

We ordered the instrument with .009 strings and requested low action. The guitar was shipped from San Diego, CA to Dallas, TX via the M.I.B. (men in brown) and showed up not only in tune but playing great! The intonation and action were dead set and required only a small tweak of the truss rod. The action was low and silky, a common Carvin feature. The neck was one of the speediest I've ever encountered.

I couldn't imagine a single thing that Carvin could improve regarding playability. The stainless steel frets were beautifully polished and smooth.

The guitar sounds exceptional. The 3-way pickup selector functions like a Les Paul and combined with a push-pull tone pot coil tap, the sound options are broad and useful. I could easily elicit some nice Strat-tones out of the coil tap.

We were also quite happy with the stock C22 pickups in both the bridge and neck positions. The CT6M yielded some great tones for blues, rock, country, and even metal. It even emits some usable jazz tones, though you'll have to play around with the tone controls if that's your preference.

The Carvin CT6M also came with a very nice SKB-made case that provides a solid fit for the CT6M. We had no need for Carvin's exceptional customer service, since the CT6M came to us immaculate as expected, though I can say from personal experience that, when needed, Carvin's customer support comes through like a flash when you need them.

The total for this world-class custom made electric guitar was $1,550.49, quite a bargain when you consider that a PRS McCarty or Hamer Studio (other guitars in the CT6M's quality range) sell for twice that amount. Carvin definitely has a winner on their hands with their CT6M. - 32370

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A Review of the B. C. Rich Mockingbird Elite Classic

By R. S. Rasnick

Since the 1950's, most guitar shapes are mere variations of the vintage Stratocaster and Les Paul designs. It's very uncommon that a unique guitar shape makes a significant influence on guitar players who, for all their differences, are a conservative lot when it comes to guitar body shapes.

One such luthier who did make a pronounced impact on the industry with his unique body styles is the late Bernardo Chavez Rico, the founder of B. C. Rich guitars and creator of such memorable guitars as the Warlock and Bich. One of his earliest and most popular models is the B. C. Rich Mockingbird.

The Mockingbird guitar shape is available in a number of different incarnations. Current B. C. Rich Mockingbird models include the Calibre Classic, the Special, the Special X, the Masterpiece, the ST, and the Exotic Classic, which is the subject of our present review.

Like all the original B. C. Rich instruments, the Mockingbird was made by hand in Rico's shop. Current models, though, are constructed in Korea to high standards, which explains why current instruments are so inexpensive. The instrument features renowned B. C. Rich neck-through construction, which helps explain why the guitar has such solid sustain and tone, since the neck extends through the whole guitar body.

The instrument is a speed player's dream machine! The ebony fretboard allows for very speedy fingerwork. The frets are well-rounded, smooth, and polished immaculately, especially for an import.

The guitar features Rockfield pickups, which offers creamy, smooth rock and metal sounds, though players who desire extreme high gain pickups may want to install Dimarzio or Duncan replacement pickups. If you're more of a classic metal (e.g. Ozzy) or classic rock (e.g. Zeppelin), the Rockfield pickups are perfectly acceptable.

We found the B. C. Rich Mockingbird Exotic Classic to be a first-rate classic rock and metal machine. The fit, finish, and action are impeccable. The hardware is first-rate, though we would have liked some locking tuning machines.

If you want some even more metal sounds, you can opt for the Mockingbird ST, which offers an original Floyd Rose vibrato system. The Exotic Classic, however, is such a solid hard rock machine that we didn't miss the Floyd Rose one bit, and we recommend the B. C. Rich Mockingbird Exotic Classic without reservation. - 32370

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